Saturday 21 August 2021

Decade. Ten short years to achievement.

This is weird.  It’s been so long since I’ve even attempted to write anything other than a work email, that it’s taken me over a week to be able to start typing.  And this is how I start?  Marvellous.  Consider your expectations managed.

My last blog post was about the love of my life, David Bowie, not long after he died.  That wasn’t intentional.  I didn’t write it thinking, ‘I can’t go on, my creativity and my voice have died with him’, I simply became distracted.  I changed job, bought my first home, discovered gardening and decorating, and allowed laziness to take over in between all of the above.  And Xbox.  Xbox took over, too.

So why did I start writing now?  I blame/thank (delete as appropriate) Mark Watson and his Decade experiment.

The basic premise is that people have and continue to come together to support each other in achieving their chosen goals, and the deadline for their completion is ten years.  There’s more to it, and I would encourage you to check out #watsondecade on Twitter if it’s something you, or someone you know, might be interested in joining.  It’s not too late to join in, we’ve really truly only just begun.  There are plenty of posts in @watsoncomedian 's feed, or hit me up for some extra guidance.

One of my two goals is to write a novel.  It’s something I’ve tried to do a number of times over the last twenty years and never quite managed to complete.  I lost interest, or the laptop it was saved on gave up the ghost.  At other times I lost confidence in the story or couldn’t find my way through it.

The thought of jumping straight into writing a novel is inconceivable to me at this point.  Do I revisit an old story and see where I can take it or do I start from scratch?  If I revisit an old attempt, where did I save it?  If I start from scratch, I need to think of a new story to tell.  No.  I need to ease myself into this.  I have ten years.  Plenty of time.

That’s why I’m writing this now and you’re reading.

Is someone reading?

Hello?  

*taps screen* …

...

Getting started is tough, even with this blog post.  So to keep it short I’ve written a Haiku, so I can explain my motivational and creative processes without sending you to sleep.

My imagination wakes
Oh, how do I start?
Buy a new laptop, numpty

So that’s what I did.

To be continued...

Monday 25 January 2016

Miracle, goodnight

I’m not sure what led me to sit in this seat, in this cinema, to watch a film I’ve already seen.  All I know is that I can’t take my eyes from the screen for fear of missing him.  He’s beautiful, even in the most ridiculous mullet wig I’ve ever seen.  And even at my obscenely innocent age of fifteen I can see the merits of those tights.  But it’s not just that; it’s his voice.  Whether he’s singing or speaking, I’m enthralled.  I have goosebumps and I’m not sure why.  When I say I’m innocent I really mean it; I’m the one the kids make fun of at break-time in school, making up weird sexual references that I’m forced to say I already know in case they laugh at me for being clueless.  Then, of course, they laugh at me anyway.  Looking up at this screen now, I’m already dreading the end of the film because I don’t want it to end.  Then it gets to the end and I wonder, when offered everything, himself included, why Sarah would ever turn him down.  Seriously.  LOOK AT HIM.  LISTEN.  Girl, you’re an idiot, and that baby really was bloody annoying!

Labyrinth was my turning point.   When I left the cinema I was desperate to hear more.  Beyond vague memories of Let’s Dance and Modern Love I didn’t really know anything about David Bowie, and back then it’s not like I could just go to Google!  I had to actually do some legwork.  Happily it didn’t take me long.  At the time I babysat for a couple who ran the newsagents around the corner, and the dad, Tony, had an awesome music collection.  Among them was the first Bowie album I would hear, and what a place to start.

I’m so excited!  I have no idea what’s coming, and as I sit here cross-legged on the floor of my bedroom I stare at the strange, beautiful bloke on the album cover.  The sleeve of the Aladdin Sane album is in my hands and the needle reaches the beginning of the first song.  I’m not sure why but I feel nervous, and when the music starts I feel it fill my room and the adrenalin flood my body.  I’ve never heard anything like this before; it feels dangerous and exhilarating.  The music is jarring, erratic and jazzy, yet it’s somehow perfect.  The lyrics are weird and wonderful, naughty and somehow forbidden to my innocent ears, but that just makes it all the more magnificent.  His voice is stunning.  I feel like I shouldn’t be listening but I can’t stop.  I haven’t even turned the record over yet, and I know I’ve found the love of my life.

From that day on I was on a mission to find everything Bowie had ever recorded.  I’d go on a Sunday to babysit and instead of staying in all morning watching Disney movies, I’d put Abi in the pushchair and walk down to the market at Redcar Racecourse.  It didn’t take long for the man running the vinyl stall to know me; I’d turn up and he’d bring out from behind his makeshift counter all the Bowie vinyls he’d picked up that week.  He gave me first refusal on everything he bought.  If not for him I wouldn’t own, amongst other gems, original presses of two of his previous bands The Lower Third and The King Bees, or even (and I kid you not) The Laughing Gnome!  That nice bloke on the record stall was like my dealer; he was the first person I went to for the next fix!  My record collection grew incredibly quickly, with some wonderful treasures amongst it, and with every new album came the excitement, trepidation and anticipation of discovering yet another side to my new music god.

I’m sat on the comfy chair as close to the TV as I dare, video remote in hand.  I can hear my brother and his best mate in the dining room playing an RPG or Subutteo (I don't care to know which) and I turn the TV up again.  I keep turning it up not to drown out the sound of my brother and his friend, but simply to have that velvety voice fill me to the brim.  I’m watching Ziggy Stardust: The Motion Picture.  I’ve watched it before, countless times, and I  know the songs inside out.  I already have most of his albums and I rarely listen to anything else.  I love watching his theatrics and the way his body moves so fluidly.  He’s a showman, even I can see that, and he’s performing with such intensity in some of the songs that I wonder where he ends and Ziggy begins.  This time, because my parents are out and I have control of the living room, I reach my favourite song, My Death, and turn up the TV again.  Nothing will make me move from this spot.  His voice is perfect.  Absolutely stunningly perfect!  He reaches the end of the song and I rewind the video to watch and listen again.  Then again.  And again.  I lose count of the number of times he’s sung this song to me, but now my brother and his mate have had enough.  The door slides open and my brother shouts something at me.  I don’t know what, and I don’t care.  I’m happy.  In every atom of my being, I’m happy.

I can’t remember whether I originally owned that concert on VHS or whether I’d recorded it from the TV, but that tape was practically worn through thanks to the number of times I watched it.  The DVD I own now is coping remarkably well!  My Death remains to this day my favourite of Bowie’s vocal performances.  It’s not my favourite song, that can change on a daily basis depending on my mood, but I’ve never found a performance to better it, and believe me when I say I’ve looked.

One of the things I always loved about Bowie’s music was the variety.  There are albums I love that rarely get mentioned by the fans or critics.  Diamond Dogs is one of my favourites for the combination of the narrative and the melodies.  Sweet Thing and We Are The Dead are beautiful songs, albeit with lyrics that, if my mam had ever listened properly, I’m sure wouldn’t have let me continue with my obsession quite so calmly!  She loved the song Young Americans and would even hum along to it, but she’d clearly never really listened!

I love Tonight, perhaps partly because I was an 80’s girl.  Even now I can listen to it walking down the street and it puts an extra spring in my step.  It’s one of those rare Bowie albums that can cheer me up!  And don’t get me started on his new romantic look in the video for Blue Jean!

I’m uncomfortable and I’m too hot.  I’m sat on a bench in the back of a transit van, being thrown back and forth with every turn.  I’m on the way to the school cottage with some of my year group, and the sharper bends make us squash each other.  I don’t mind so much though, because I have my Walkman plugged in to my ears nice and loud.  I’m listening to Never Let Me Down, and it turns out that so are the people sat beside me!  I know because they keep making comments on the lyrics.  “Bang bang?  What the hell is that rubbish you’re listening to???”.  They’re clearly clueless.  They’re still stuck on Bros and Jason Donovan.  Some of the girls are even trying to dress like Matt Goss.  One of them once accused me of only buying a particular type of chewing gum because that’s the one Matt Goss buys.  I have David Bowie streaming almost constantly into my eardrums and she thinks I give a crap about Bros’ chosen chewing gum?  Sure.  They should be thankful I’m not walking around with a lightning bolt painted on my face, although I get bullied enough already without putting a target on my head.

Don’t worry, it’s not all about the commercial albums, in fact it’s not even close.  I can happily say I like them regardless of any criticism that may be thrown at me; they have their own merits, but I also adore ZiggyHunky Dory, Scary MonstersLodger, well most of them if I’m honest!  But one of my very favourite albums is The Man Who Sold The World.  I find the lyrics mesmerising, and when I was younger they had a big impact on my own writing.  I could read poems now that I wrote twenty years ago, and tell you which album or song inspired them.  And no, I won’t be publishing them here!  I have an unusual, and often very dark, imagination which I have absolutely no doubt was fed by Bowie’s lyrics, especially the earlier years.  I still see his influence even now in some of the more recent things I’ve written.

I can’t believe I’m here.  I’m actually here!  The coach has stopped outside the venue in Newcastle, and I file off with my boyfriend in tow.  Everyone’s as excited as I am, perhaps my boyfriend being the only exception.  He bought us these tickets for my birthday.  I turned seventeen two months ago and I’ve had to wait that long to come see Tin Machine.  I can’t deny I’m a little disappointed that Bowie won’t be doing any of his old songs, but I still get to see him and that’s fine by me.  Anyway, I like Tin Machine.  I really do!  Some people think I’ve just continued on the bandwagon and been duped into listening to bad rock, but I really do enjoy it.  As we walk into the venue I see the expanse of space near the stage.  My boyfriend sees the balconies and tries to lead me up there.  Is he insane?!  I ask him as much, and say as firmly as I can, “If you think for one second I’m going back there when I can get right to the front, you can bog off!  You stand where you want, but that’s where I’m going!”.  I point to the stage while holding his gaze and he knows I mean business.  He dutifully follows me.  Good boy! 

It’s only been two years since I found Bowie, but it feels like I’ve been waiting to see him perform live forever.  Nothing will tear me away.  Nothing.  Especially being so close to the stage.  He’s so close I can almost smell the sweat.  I feel as though I could reach out and touch him.  If not for the security it’s entirely possible I could.  He’s astonishing.  He’s clearly not an equal member of the band, he’s the front man everyone came to see.  There are drunk girls being passed forward over people’s heads, and I don’t understand why they would do that to themselves.  Why come all this way to see this legend perform, and drink so much you pass out (and they really are unconscious, that much is obvious).  They’re being carried out to the foyer, getting nowhere near the man, and missing most of the concert.  And here I am, sober as they come but drunk on the atmosphere, his voice, and… oh crap, he’s taking off his shirt…!!!

Looking back I think Tin Machine was what leapfrogged me towards Blaize’s and the ‘Piper with my brother and his unusual, and bloody fantastic, group of friends!  Those rock/alternative clubs and the people I was partying with were my lifesavers.  Until I met them at eighteen I was still a bit of a misfit.  I had a few friends who I loved dearly, and once I reached sixth form college I did fit in better than I ever had at school, but these brand new friends accepted me instantly, regardless of how I dressed or the music I listened to, although I suspect being a Bowie fan helped in some cases!

It was tempting for me to list through all of Bowie’s albums and say what I thought, or list his achievements and for me to go on and on about facts and figures, but it was too clinical.  I’m more of an emotional writer, so instead I decided to write more about my feelings and memories.  It’s about what I was given as I was going through those difficult teenage years, being a bit of a loner who was bullied at school.  It’s about being encouraged to find myself and not apologising for who I am.  He helped me find my feet and continues to be a source of comfort and support, and occasionally assists me in my meltdowns; those meltdowns that allow me to unload and not verbally attack the people I care about (and some I don’t!).

I’m sitting at my desk at work.  I’ve only been here for half an hour, and it’s a Monday like any other Monday.  Irritating, but doable.  We always have the radio on and most of the time I don’t even notice the news bulletins, especially as they come so often.  But now I’m in shock.  Did I just hear that right?  He’s dead?  No, he can’t be, they must be wrong.  It’s a hoax or a publicity stunt.  I stare at my desk.  I can barely take it in, that this man who seemed indestructible has gone.  It was only a few days before when I heard Lemmy had died that I fleetingly wondered whether Bowie would be next.  I dismissed it as quickly as the thought came, “Don’t be ridiculous, he’s never going anywhere.”.  Now I have to get through my working day without looking like an insane person.  I listen to all the news reports, feeling numb.  Every time I hear those words, “David Bowie has died”, it’s as though there’s a shock of electricity going through me, then numbness.  All I want to do is go home and immerse myself in him.  Lock the doors, close the curtains and have him with me until I can finally go to sleep.  Perhaps when I wake up everything will be back to normal, and he’ll still be here.

Of course he wasn’t.  I watched Ziggy Stardust: The Motion Picture, then the Glass Spider Tour.  I tried to distract myself with an hour of something else on the TV, but even now I can’t remember what it was.  The whole time I was numb, sat watching and listening as emotionless as if I were sat at work with a PowerPoint presentation.  And then I watched his last single release, Lazarus.  I hadn’t had chance to listen to it yet so I went to YouTube and plugged in my headphones.  That was the moment the floodgates opened, and for an hour I was inconsolable.  By the time I went to bed I was exhausted, but sleep was in random short spurts, and few and far between.  He was my first thought every time I woke up, and then it took momentous effort to silence my brain long enough to get some sleep.

Some will say that my response to a complete stranger dying is ridiculous.  I never met the man, and it’s entirely possible I would’ve been disappointed if I had.  It’s been said before that you shouldn’t meet your idols, and I have no doubt that in some cases it’s true.  But for me, David Bowie was my absent yet ever present friend.  From that day sat cross legged on my bedroom floor listening to Aladdin Sane for the first time, he’s had an impact on my life.  Not in huge, profound ways like some people report.  Many, many other people and circumstances have led me to be the person I am today; creative, strong, independent, musical, brave, perceptive, and many other not so great things!

Bowie helped me to understand, in his own unique way, that being different is a blessing.  Seeing the world differently to others is a gift.  Being able to stand up and make people accept me for me, is essential.  Exploring other viewpoints is important.  And finally, expressing myself, regardless of how anyone else will accept me, is the only way to live.  The fact that I have, and continue to grieve for him is testament to his talent and presence.  I never met him, but as my sister so perfectly put it, “It’s okay to grieve, he was your buddy”.

I know exactly what led me to sit in this seat, in this cinema, to watch a film I’ve already seen countless times.  It feels like the most natural thing in the world.  I’ve come full circle.  I feel nervous, and I’m jumpy with anticipation.  I’m sat in the same cinema as I was 26 years ago.  Labyrinth isn’t my favourite of his films, but it’s the one that led me to his music.  Now, just as then, I can’t take my eyes off the screen.  He’s still beautiful, even in the most ridiculous mullet wig I’ve ever seen.  And whether he’s singing or speaking, I’m enthralled.  I have goosebumps and I know exactly why. And with the goosebumps comes a lump in my throat that won’t go away.   Looking up at this screen, I’m already dreading the end of the film.

I don't want to say goodbye.


Monday 13 July 2015

Seeing the wood for the trees

In the last few weeks I’ve been inspired by so many different people.  From individuals to local communities and the whole nation.  But bear with me, because this isn’t as simple a post as it sounds.

It’s an easy thing to sit back on the sofa and let yourself be buried by your problems and emotions.  It’s easy to let the world pass you by, to wish that other people would notice you, maybe call you occasionally just to ask how you are.  It can become painfully difficult if not at times impossible to open the front door and step through it, or to pick up the phone and ask others exactly the same as you wish they would ask you.  It’s easy to feel that no one cares, but if we don’t show that we as individuals care about others, too, why would they bother?

I sometimes worry when we have a long break from choir, especially for summer.  I worry that over those two months I’ll become a loner again, that I won’t see the friends I’ve made because they’re so busy with their own lives, and quite rightly.  I worry that I’ll start to rely too heavily again on social media to the point where I become a virtual recluse, because on Facebook and Twitter people are always there somewhere… within reach if not physically there.

Then I remind myself that by worrying about these things I’m also acknowledging that something could, and should, be done, and that I’m the only one who can make the changes needed to stop me once again becoming a hermit.

At our last choir session before we finished for the summer we were all reminded of everything we’ve done together over the last year.  In glorious Technicolor and with an added guitar and dozens of voices, I was shown what a community can be and what it can achieve.  You’d think I’d already know seeing as I was involved with most of it, but even being in the centre of the events it’s easy to become detached.  Just one small example; I joined a (very) short part of the community walk during One Red Sunflower on the Wednesday evening.  A few people talked to me while we walked, but very quickly people passed me.  I was hobbling along with my walking stick feeling every last step through to my core, and after only 5 minutes I found I was alone.  There was a mass of bodies ahead of me, another behind, and there I was toddling along on my lonesome.  I wondered whether it was my imagination, but later that week I saw a short clip of the walk and yes, there I was like a big pink place marker.   I was walking with people for a week-long event intended to connect with people, and  I felt incredibly alone.

Now, it would be very easy to lay blame on others for things we feel they’ve done to us, but if we sit back and really consider everything I’d lay money on the fact that we’re at least partly (if not wholly in some cases) responsible ourselves.  During that walk a few people did talk to me, but there were a couple I knew to whom I’d said to go on ahead because I knew I was slow.  I told them to leave me behind.  Did I try to engage with the people walking past me that I didn’t know?  Not really, because I was concentrating on each of those painful steps and just trying to reach the end point without my legs giving up on me.  I made myself feel alone.  I’m adult and intelligent enough to recognise when I’m my own worst enemy.

All of that said, the events done with Stockton Town Choir were remarkable achievements showing what both individuals and whole communities can achieve.  From one man with an idea, to pockets of the community, schools, churches and organisations coming together for one common cause; to feel connected (there were other reasons for each, of course, but connection seems to be at the core of everything here).  Whether by remembering the fallen 1245 soldiers from the borough of Stockton-on-Tees, whispering a positive message across the borough, singing as part of a giant Christmas tree, holding candles at the Festival of Light & Sound, cooking with Matty for choir or walking and talking with people you would never normally approach.  However else I feel at individual moments, and for whatever reasons those feelings surface, there’s absolutely no denying the positivity that surrounds Stockton-on-Tees.

Another individual has, unbeknownst to her, helped rekindle a spark in me.  I know she’s wanted to write a blog for a long time, and she’s finally begun.  It’s personal, positive and heartfelt, and it’s so lovely to read.  I really do hope she continues.

And then we come to the nation.  Anyone who watched The Last Leg on Friday will already know about #legup.  Adam Hills announced that in response to the budget that leaves so many people so much worse off in our lovely country, we should do something positive to show our government what we’re really capable of achieving… by helping each other.  The government will continue to beat us down, but we will support each other.  So as of Friday #legup was born.

It’s incredibly simple.  You post on Twitter using #legup either requesting or offering help to others.  This being social media of course there have been some jokes on there, but the vast majority are wonderful.  They range from people just saying which area they’re in and that they can help people, or offering specific help or services, to people asking for help to raise money for life-saving surgery, or an individual asking for help to put together packs helping new mothers suffering from post-natal depression, or simply to help an individual find employment.  If you’re on Twitter take a look.  There are some incredibly inspiring messages and exceptionally generous people out there.

So what’s the upshot of all this?  That we don’t need to look hard to find inspiration and communities working together, but sometimes we need to make extra effort to see it all past our own problems.  It’s worth it, I know this from experience.  It’s also about looking inward to see what we’re doing to ourselves, because until we take responsibility for our own lives and recognise what we can change for the better instead of forcing blame onto others, we won’t be inspired.  We might make the right noises to say we are, but we won’t do anything about it, we won’t change and we won’t be any happier.

I’m taking a lot of long hard looks at myself and I don’t always like what I see (how many of us really do?).  But I have a very special future within my grasp as long as I stop using blame and excuses, and in turn it could be a very special future for others along the way.

So here’s to those individuals and communities who remind people what’s possible; the inspiring people who don’t even realise that’s what they are because it’s just a natural part of their being.  May you continue to grow, and may your influence spread like outrageous gossip on a drunken night out with your colleagues!

Monday 16 March 2015

A Whisper Away

H.A.P.P.Y. was started two years ago because I became tired of turning on my computer and seeing negativity almost everywhere I looked.  If it wasn’t bad national and international news, it was people just sitting there complaining about how bad their lives were without any attempt to take control and change the negatives to positives.  A few years ago I was also one of those people until someone pointed out to me just how negative I was on Facebook most of the time.  That was the day I picked myself up, gave myself a good talking to and turned it around.  Not always, obviously.  We all have our bad days.  But we can choose whether to let the bad stuff pull us all down.

I don’t post here very often because I want to keep it as fresh as possible.  I want the posts to mean something, so rather than just a weekly “isn’t life grand?!” babble that everyone would get sick of reading, I try to pick and choose the things, places and events that inspire me and I know will stay with me until my last breath.

And this is where we come to #theloudestwhisper



This has been on social media, local news and radio, and newspapers for some time, though mainly in the last few weeks (and especially days!), but do you know what it was all about?  What was happening?  Or did you skim over it and not pay it much attention so you could go and look at videos of cats playing with water a little bit quicker?  I wouldn’t blame you.  I love cats!

#theloudestwhisper grew from a tiny seed into a bloody great big forest in the space of about eight months, and it was in response to Love Productions (LP) making a street in Tilery in Stockton-on-Tees their focus for the new series of Benefits Street.  It appeared that most people didn’t want them there, including a number of people living on the very street in which they were filming, but despite objections to both Love Productions and Channel 4 the filming went ahead anyway.



And then along came Mike McGrother.  His intention was to show LP that it was possible to do things in a lovelier way.  They could choose to film absolutely anything in and around Stockton, but they appeared to ignore the huge positives it has to offer.  LP said they were giving Stockton a voice, but what they failed to realise but Mike put so succinctly, is that Stockton already has a voice and it’s louder and prouder than LP could ever imagine.

#theloudestwhisper was originally intended to last one day but so many people wanted to be involved that it was extended to two days, and what a wonderful two days they were!  So what did we do?  We played the biggest game of Chinese whispers you’ve ever seen.  The game involved thousands of people and included businesses, schools, colleges, performers, all the way to a care home, bikers and countless individuals.  And let’s not forget the council itself played a huge role in the event.




I’ll let the videos at the end of this post speak for themselves rather than going into the finer details of the event (which can be found here at www.positivelystocktonontees.co.uk).  What I’d like to do instead is to tell you why I became involved and what I gained from the experience.  Another voice, perhaps, that LP don’t even believe exists.

Put very simply, I became involved because I wanted to give something back to the community that has given me so much in the last two years, and because I believe so strongly in the message I knew #theloudestwhisper would convey.  The reason for its conception is important, of course it is, but I know I would’ve wanted to be involved regardless of the catalyst.



When I joined Stockon Town Choir (STC) I didn’t realise that as well as finding my singing voice I would also find my inner voice.  I was incredibly nervous and shy, and quite frankly when stood in the big circle of singers with Mike in the centre I was terrified of being picked on as a newbie!  I’ve never admitted that before so publicly (and never to Mike himself (hello, Mike!)).  Over the years I’d seen him perform many times with the Wildcats of Kilkenny so I had an inkling of how he’d interact with everyone, and I wasn’t wrong.  But I was trying to blend into the wall.  Me; a 5’8”, overweight woman with very red hair (back then, at least).  I tended to stick out in a crowd.  I still do!

What I didn’t realise when I turned up that first week was that I wasn’t just joining a choir, or indeed a community.  I was joining a family.  And in the last two years (remarkably I’ve never even missed one week) that family has looked after me.  They’ve shown me respect and kindness, I’ve never once felt judged or ridiculed, they helped me to discover who I am and the kind of person I want to be, and I’m thankful every day that I took that first step and walked through those terrifying doors.  Through STC my love of performing has been reignited and I’ve been involved with some fantastic projects, some related to choir, others not.  I’m also now a member of two other choirs.  Music plays a big role in my life now, and I’m not even all that self-conscious when playing my cello (badly, for now at least) in front of other people.  Although that might depend a little on the person!  I even found myself singing along, out loud, on my own, to songs being played at Ropner Park on Saturday.  I would never have done that even six months back.



Two years ago I would never have even considered helping on a project such as #theloudestwhisper.  I was too unsure of myself, I had very little self-confidence unless I was at work (and even there I can see how much my confidence has grown), and the thought of being so self-assured, cheerful and chatty with complete strangers was out of the question.  But now?  No problem.  And I know without a shadow of a doubt that STC played a huge role in bringing that out in me.

The thing is, I’m not from Stockton.  I don’t live in Stockton.  I worked there for a while about ten years ago but until I joined STC I only really visited for SIRF.  A couple of people recently asked why I would bother being involved with so much in Stockton if I’ve never lived there.  Well, apart from feeling like I’ve been adopted, and discounting entirely the fact that I love Stockton ARC, Preston Park (and now Ropner Park, too), Tees Barrage, the growing and fantastic independent businesses, the community opportunities, the exceptional events and fireworks, the beautiful riverside, why would I only care about my own doorstep?



Since when did we only care about ourselves?  Yes, okay, there are individuals out there who really do only care about themselves (and I’ve unfortunately known some of those people personally), but if that was the norm then fundraising events such as Children in Need and Comic Relief wouldn’t be successful.  I know I’m in danger of sounding all fluffy now, but it’s true that our neighbours are not only the people who live next door.  They’re also the people who live in the next town, the next city, the next country.  Everyone is our neighbour.  Without exception.  So if I give money to Comic Relief to help buy mosquito nets to save the lives of people I’ll never meet, why wouldn’t I help a community that has given me so much in such a short space of time to stand up and, whilst whispering, shout about how much they love and how proud they are of their Borough?

In helping at a few of the whisper locations over the two days I discovered very quickly that I’d underestimated just how much people do love Stockton-on-Tees (and believe me when I say I thought I already knew!).  The number of people who came to whisper, the number who volunteered to help, the number who arrived and left with smiles on their faces, and the number who stuck around afterwards just to socialise and keep the community spirit going long after the whisper had been and gone, was all testament to just how loved Stockton really is and how strong the community continues to be.



I know that despite the number of visible faces who ran, and were involved with, the event, there are countless others who won’t be recognised for their contribution by anyone beyond the core organisers because they’ve remained in the background.  Everyone involved should be so ridiculously proud of what was achieved, and how successful #theloudestwhisper was (and no doubt will continue to be).

I would urge you to please, Please, PLEASE watch the videos, regardless of where you live.  These videos are about Stockton-on-Tees, but they could just as easily be any town in the world.  They could be about your own town there in the United States, France, Australia, Germany, absolutely anywhere.  It only takes one person with an idea to turn a negative into a positive and to show what a community is really all about.



I think we should all take a lesson from #theloudestwhisper, not just Love Productions.  We all have the capacity to do things and live in a lovelier way, sometimes it just takes a bit more guts and gumption to stand up and do it, without apologies or explanation but just because it’s a good thing to do.

I know we haven’t heard the last of #theloudestwhisper.  In fact I’m counting on it.  But in the meantime, instead of sitting back and accepting that all the negative things people say about where you choose to lay your hat are true, look around and see the positives, embrace them, enjoy them, then open your mouths to shout out your very own whispers to anyone who’ll listen, and tell them that they’re wrong.  Tell them that THIS is my town.  THIS is my home.

And we’ll continue to tell Love Productions and anyone else who’ll stand still long enough to listen, that THIS is Stockton-on-Tees!



The original teaser, "The Great British Take Off":
https://m.youtube.com/watch?v=JXEjHK5P8e8 

Day 1:
https://vimeo.com/122139022 
(Video by Ian Paine)

Day 2:
https://vimeo.com/122229038 
(Video by Ian Paine)

The Big Reveal:



The Wildcats of Kilkenny play to a fantastic crowd at Stockton Arc after the Big Reveal. Photo by Kirsty Baillie.


All photos of #theloudestwhisper kindly provided by Positively Stockton On Tees.







Tuesday 3 March 2015

Take me to the bridge and soothe my soul


In the midst of large doses of stress and worry I’m finding it more and more important lately to focus on the positive things in my life.  That’s an easier thing to do on some days compared to others.  It’s all too easy to let the sad, upsetting, depressing and stressful things get me down.  Some days it’s a huge fight not to just throw up my arms in defeat, crawl into a corner and hide under a duvet, and tell the world to go f*** itself until I can cope with what to other people will seem miniscule and unimportant irritations, but to me can become the end of my world.

But there’s something I realised very recently that has helped me to feel like a normal human being even on the bad days.

 

I’ve posted here about music before (http://foundmysmile.blogspot.co.uk/2013/06/thank-you-for-music.html?m=1), but in the last few months I’ve been reawakened to the wonder of both learning and making my own music.  Well, not exactly my own music, but my own interesting interpretation of someone else’s music!  When I was in junior school I started cello lessons and I loved them.  I was always a self-conscious person, and as I got older I felt more and more awkward and embarrassed about practicing when anyone else could hear me.  I eventually lost interest, perhaps with the onslaught of hormones, and I regret it to this day.  I wasn’t the best cellist, not by a long shot, but I enjoyed it and I loved entering competitions.

 

About 15 years ago my parents bought me a ¾ sized cello when I said I wanted to start playing again, but back then my self-conscious side took over and it wasn’t long before I stopped playing again.  I tried picking it up a few more times over the years but I always put it back down and left it alone.  And then last year I was given an electric cello.  She’s a black, glossy, sexy bugger and I love her.  She’s quieter than an acoustic, which allows me to play with more confidence and less worry about the neighbours’ reactions!  She’s patient and forgiving, and despite making her cry in agony sometimes she still lets me try again and again and again without complaining.

 

I really should name her…

 

It’s taken me a while to reach this point where I look forward to picking her up again.  Back in September I was terrible.  I could remember how to hold the bow but it was awkward and a little painful on my thumb.  I knew the basics for fingering and hitting the notes, but in practice I created sounds that no person should ever put a beautiful musical instrument through.  It’s taken a lot of practice and finger exercises to reach the point where I can create sounds that don’t make my ears bleed, and sometimes I do still wonder whether my playing will ever improve.  And then I remember how terrible and awkward I was back in September, October, November, and I realise that yes, I’m making progress.  The very fact that I’ve started to get to grips with a piece that way back in my childhood had me frustrated as hell because I just couldn’t nail it, is a rewarding reminder that I’m getting there.  Slowly, but I’m getting there.

 

So now after work the first thing I want to (and usually) do when I get home is practice.  On my days off, and once I’m finally awake enough to function, the first thing I want to do is practice.  If my fingers are up to it I’ll go back for seconds later in the day.  I always aim for twenty minutes practice, but I always play for longer, usually 30-60 minutes.  When I start to become so noticeably tired that I’m struggling to hold a note, or even find the right position, or I’m tensing up, then I take the hint and stop.  The fingertips on my left hand are clearly toughening up, and when I brush a nail lightly across the fingertips there’s a slight tingling sensation.  It’s the same sensation I remember as a child, having practiced and practiced and practiced until I got it right.  Or almost right.  When I’m at work it’s a reminder that I have something to look forward to when I go home, and a reminder that I can still (as a stubborn adult) learn and grow.

 

Something unexpected has happened now, though.  By now many people will know I sing in Stockton Town Choir and the choir at work.  Well, I realised a few days ago that some of the cello music I’m working on and some of the songs we’re singing have begun to meld into one big mess of music.  I’ll find myself humming the cello piece Menuet d’Exaudetand realise a few moments later it’s turned into a song from work’s choir Dona Nobis Pacem.  I go to bed with one tune bouncing around my head and wake up with another.  This morning it was Schubert’s Lullaby. At various moments throughout the day I start humming without realising I’m doing it, which is just glorious for my colleagues!  A few nights ago when I went to bed and pulled up the covers, I unconsciously started to practice the fingering for the Menuet on the side of the duvet.   Is this normal?  I mean…. really???

 

Music has always been important to me, as I expect it is to most people, but I realised that while I was looking the other way music seeped under my skin and made its home.  I really do hope it stays, because although people think I’m a bit nuts when I spontaneously hum a pretty tune while walking down the street or sat at my desk, it makes me smile inside, and it makes me feel a little excited about the possibilities ahead of me.  Which tune can I play next that I didn’t expect to achieve?  Or even more surprising a question, which instrument can I pick up next and start all over again?

 

One of my brothers said to me that he hoped my cello didn’t become a mill stone.  I can say in all honesty it feels more like a whole big bunch of helium balloons lifting me up. But thankfully, without the silly high-pitched voice.  Mostly.

Friday 28 November 2014

The Word Is Gospel

Please note that this isn’t a review of Stockton Sparkles, but my thoughts on my own experience being part of the Singing Christmas Tree.

 

 

Every once in a while an opportunity presents itself and you just can’t ignore it.  Sometimes it’s the most natural thing in the world to jump in with both feet without a second thought and let the ride smoothly and effortlessly carry you along.  Then there are those opportunities that make your head spin, your stomach churn and your legs turn to jelly, and you take weeks to come to the conclusion that yes, you’ll give it a go, and it’s purely because you want so badly to be part of the end result that you’ll put yourself through your own personal hell to get there.  And finally, if you’re very lucky, you not only have people beside you to help you through the terror of stepping bungee jumping out of your comfort zone, but you discover that you can do more and go further than you thought possible in that terrifying moment, and the end result is the most wonderful word in existence… “Yes”!

 

 

I was sat there in the Wonderful Wednesday that is Stockton Town Choir a few weeks ago, and an announcement was made that had me denying myself all possible involvement because of one simple thing.  Fear.

 

How wonderful would it be to be part of an 80-strong, one-off gospel choir forming a singing Christmas tree in the heart of Stockton for the Christmas lights switch-on?  Well, of course it would be incredible!

 

How comfortable would you feel if you were mic’d up, singing so exposed with your peers?  Oh, that’s fine.  Not a problem at all.  Bring it on!

 

How willing would you be to stand in a room with three people and sing on your own, to audition for this fabulous opportunity, knowing all the while that you could be turned down?  Ah!  Well now, that’s just… you see I just can’t… that’s inconceivable, no… no  I can’t put myself through that, are you crazy?  Singing on my own?!!!

 

So I sat there listening to all of the above and more, and just slowly shook my head.  No.  Not me.  Not ever.  I was unshakable.  It was just never going to happen.

 

The deadline for putting ourselves forward for this insanity disappeared.  When Friday 5pm passed me by I was relieved because I didn’t need to think about it anymore.  It was over.  Any possible involvement was gone entirely and it was my own decision.  It wasn’t a failure to perform, it was only my decision.  I could relax again.  But why had I been thinking about it at all?  I practically shouted a resounding no from the moment I heard about the planned event.  I knew  if I could have just walked in on rehearsal night, joined in and performed, nothing would have stopped me.  But that didn’t matter now, because any chance to be involved had been and gone.

 

And then the deadline was extended.  Oh f…..


The new post asking for people to audition had extra information to the previous ones, and two things stood out and screamed at me not to ignore them.  First, it wasn’t just described as a one-off, but an extraordinary one-off.  In that moment what crossed my mind and still hasn’t left me, is that the people who do extraordinary things are the ones who work on their anxieties and fears, kick themselves in the proverbials, and just get the hell on with it regardless of how they feel.  The second was to know we’d be working with some incredible talent, from solo performers to the MD and the band.

 

It took me a few more days to get the courage to send the email asking to audition, and honestly, my finger was hovering over the send button on my phone for a very long time.  It was the last day to put myself forward and I couldn’t miss the opportunity twice, and yet the only way I could send the email was to walk away from it, do something constructive for a while and focus on anything but that send button.  When I sat back down and picked up my phone, the first thing I saw was the email I’d drafted and I instinctively and without hesitation pressed send.  I knew in that moment that if I hesitated just once more I’d lose the nerve and the opportunity for good.

 

Then I panicked, and I didn’t stop for four days.

 

What I did do as well as panicking was I found ways to cope, discovered new ways to calm myself down.  There was no point trying to get rid of anxiety and nerves because that would never happen, but it was possible to still them a little and learn how to gain some control.  I’m incredibly lucky to have some top notch friends and partners in crime, so I talked to them.  I found more ways to help my nerves and I (hopefully) was able to help someone else with his.  And I practiced.  And practiced.  At every opportunity, even if just quietly to myself while sat at my desk at work, I practiced.  The song was in my head as I went to sleep, when I awoke, and at times I woke up at 2 or 3am singing the bloody thing.  Through all of this practicing I even discovered that depending on where I sing from, I can reach higher notes more easily than usual, which was a bonus especially considering I’d started to worry that I wouldn’t reach one particular note.  And I couldn’t not reach that note, I wouldn’t forgive myself!  Practice, practice, practice.

 

On the day of the audition I was so distracted I may as well have been sat at home as at work.  I’d started to feel better, but now that the day had arrived the butterflies returned with a vengeance. Breathe… breathe… breathe…

 

More support from a fantastic friend while sat with my tea was invaluable.  He was kind enough to stop my naughty chimp (my fear and anxiety given form) from strangling me.  I shrank that chimp and he held onto its tail so it couldn’t follow me into the audition room.  I kid you not.  He gave me a ‘lucky’ clip to take in with me, too.  No, I didn’t believe him either but I played along and made sure he took it in with him when he went for his audition!

 

When it came down to it, yes of course I was still incredibly nervous.  But I was breathing long, measured breaths, I wasn’t shaking (yet), and I just got on with it.  I wasn’t perfect, and in fact I was decidedly dodgy hitting some of the notes in the first half (at the very least!) thanks to those pesky nerves, but the practice helped immensely.  I knew what I needed to do to hit the high note, and I did it with more ‘oomph’ than I knew I had!  I’m grateful for that high note, too, because it was only a few days later when I realised my preoccupation with it was what made the shaky-voice nerves go away (or that’s how I heard it in my head!), simply because it was all I could think about when I hit the second (final) verse.  And regardless of the outcome I knew I’d done the very best that I could do, and what more could I ask of myself?  Except to get up the stairs afterwards without my legs collapsing beneath me.  I could ask that.

 

We would all find out the next day whether or not we were successful.  Well, today is the next day and once again I can feel the butterflies building.  Hurry the hell up already!

 

 

The longer I wait for an answer the more convinced I become that the answer is no.

 

 

It wasn’t a no and I can hardly believe it.  I’m in!  Well, bugger me!

 

 

What I’ve realised over the last week of having the music for the four songs we’re learning, is that some of the most wonderful things through this surprisingly private learning curve are the incredible piano solos.  I can’t remember the last time I danced around the kitchen so much while both learning and cooking!  They’re infectious, delicious tunes that make my feet tap, my shoulders move and my booty shake without warning.  I won’t apologise for the image you now have in your head, just be thankful you’re not one of my neighbours!

 

I didn’t know this for a long time, but I’m a learner.  It took me a lot of years to realise that learning keeps me going.  It doesn’t matter how small or insignificant the subject seems, I love it; songs, crochet, cello, tatting, BSL, sewing, it’s all good.  But sometimes it’s great, and although I’ve realised the same four songs are taking it in turns to plague my dreaming AND my waking hours, I love it, I love it, I love it….

 

It’s not long since I started to play the cello again, so to pick up the scores to go along with the audio files we were given was like a little gift from heaven, though I know I’m probably in the minority!  It gave me something to get my teeth into, and it’s been a while since I had that.  Being able to help others get their heads around it (at least a little) was wonderful, too, because alongside learning new things I’ve recently discovered how much I enjoy teaching others, too.

 

So here I am with our four songs looping in my head day and night, lyrics pinned to my noticeboard at work and scattered beside my chair at home.  Audio files are pre-loaded on my phone, youtube videos are favourited and lined up, and during the whole of this fun little learning period my biggest worry isn’t the microphones or the big metal tree, it’s not the possibility of scratchy woollen hats and scarves or the thousands of people watching us on the night.  No.  My biggest worry is DON'T FORGET THE EFFIN WORDS!

 

 

I’m finding it difficult to begin this part of the post because I just don’t know where to start!

 

Today I’m exhausted.  It’s a happy kind of exhausted though, the one where it doesn’t matter that you have slightly bigger bags under your eyes than usual and wish you were anywhere but at work.  This is the exhaustion of post-performance adrenaline and countless days with little sleep.  This is the day after the night before.

 

Before I come to the performance I need to say a few things about the rehearsal.  It was a wonderful mix of singing, laughs, new friendships and incredible music!  I said earlier how much I loved the piano solos while I was practicing, but that didn’t compare to those same piano solos with Danny McCormack’s fingers dancing over the keys just a few feet in front of me.  I was, and still am, in awe of that talent, so my ears were ecstatic during our rehearsal!  I have to say that the whole band was incredible, such amazing talent, but I do have a big soft spot for Danny’s style of playing.  I was only sorry I forgot to say so in person in the busyness and fun of the pub on the night itself.

 

For a few days prior to it, I was starting to worry a little about the rehearsal night.  What I expected was (minus the waiting around for the sound check) five hours of practice after practice after practice.  Knowing that our fantastic organiser and visionary would be stressed beyond our comprehension, and no doubt worried about how we would all sound once we were all finally singing together instead of practicing apart, I was prepared for sections being scrutinised and parts being repeated until it sounded just as he wanted it to sound.  I even expected a lot of his sense of humour and fun to have disappeared thanks to the stress he’d caused himself organising the whole thing in the first place.  But the person stood in front of us was just Mike, and I breathed a huge sigh of relief because knowing that he could still approach it with good humour meant that we could, too.  I’m under no illusions that he was more worried than anyone about how we would all sound together, and that despite appearances his stress levels were no doubt through the roof, but it’s all just further testament to the wonder that is Mike that he made us all feel so comfortable.

 

It was also reassuring to know we weren’t to be over-rehearsed, and that the purpose was to retain a freshness in our performance (and I think we did).  And let’s not forget that we needed to enjoy it because if we didn’t, neither would the audience!

 

So Thursday 27 November arrived and I’d taken the day off work.  I’d had an awful cold the week before and at the beginning of the week my voice was noticeably struggling.  So I decided a day of rest, relaxation and as little talking as possible was in order!  What a strange day it was.  I hardly slept the night before and I felt I was in a strange kind of limbo.  I woke up excited for the evening, yet at a loss how to distract myself for the rest of the day.  There was no point practicing anymore because I already knew it inside out and I was, after all, trying to save my voice!  I managed it, though.  I got through the day with Christmas shopping and a movie.  Result!

 

The afternoon finally arrived, and after gathering in the church nearby and being donned in our matching hats and scarves, we filed off towards the tree.  Chattering, excitement and anticipation were buzzing from one person to the next, but nothing could prepare us for what we were about to see.

 

It took a few moments for me to really see the crowd, to focus on them, because of the steep steps and the snug walkways on the big tree (well, snug to me thanks to my additional padding!).  I was so focussed on reaching my spot without hurting myself or damaging my clothes that when I finally stopped and looked out to the crowd I had to forcibly stop myself from speaking what I thought. 

 

“Oh f……!”

 

It’s one thing to see thousands of people while stood on the ground with everyone else because you can only see so far, but when you’re raised up on a platform and can see everyone, the extent of the audience, it turns into an entirely different animal.  The mass of thousands upon thousands of people gathered as far as I could see took on a life of its own, but it wasn’t nearly as scary as I expected.  I can’t say there weren’t nerves, of course there were, but they were just the natural nerves you’d get before any performance (audition aside!).  I looked to my friends stood either side and could see the same kinds of thoughts running through their minds…

 

Whoa!

 

We’re really going to sing to all of those people?

 

We’re really going to sing to all of those people!!!

 

Holy crap!

 

Don’t forget the tune!

 

I can’t read my words, it’s too dark!

 

Don’t forget the words!!!

 

This is going to be fantastic!

 

Right, bring it the f… on!

 

And then we began.

 

We sang loud, proud and in tune.  We sang with big smiles on our faces and we loved every last second.

 

And now I really get it; the addiction of performing.  I said the same before having done Tell Someone Special a few months ago at Arc to a few dozen people (if that), but this… this was something else.  This was big, loud, proud and one of the most rewarding experiences of my life.  It was a huge confidence boost just to be told I was good enough to be part of it at all, but the confidence boost of thousands of people applauding and cheering because you’ve given a good performance was immense.  And I know I’m not just speaking for myself.

 

I think it’s fair to say that the crowd was up for it; they were clearly there for a great evening and they generously showed their enthusiasm.  The audience was already enjoying itself and that made our job that little bit easier.

 

The first note was close.  The core twelve were coming to the end of their beautiful, slow beginning of our first song, and the butterflies started.  And then I, along with around 60 other singers, began.  I relaxed within moments and I savoured every last second (there was no way I was going to let myself forget a moment of this!).  It was commented on later in the evening in the pub that we sang louder than we had at the sound check and they’d had to turn up the band.  Well, I’m not in the least bit surprised!  Adrenaline and a big, happy audience clearly made us open up our mouths that little bit further to be heard at our best and proudest.  Who wouldn’t sing that bit louder under those circumstances?

 

It was a truly wonderful evening.  I loved being part of it and I loved the atmosphere and attitude of the crowd.  The rest of the entertainment was fab, the Christmas tree is bloody huge and the lights are beautiful.

 

Last night I was the proudest I’ve ever been to have been adopted by Stockton, and I will never forget the experience, from start to finish.  From the first tentative email, to the absolutely bloody terrifying audition, the countless hours of practice, the new friendships, the extra little practice sessions both organised and just a couple of friends getting together over wine and cider, the sleepless nights from anticipation and adrenaline overload, and finally the sheer joy of the performance.  From the very first second to the last, it’s been an incredible experience and I wouldn’t have missed it for the world.


[I've edited this to add that I realise I've made this sound almost romanticised, but that yes of course there were some frustrations and some moments of irritation.  I've chosen not to ignore them, but to focus on the positives because they SO heavily outweigh the rest for me that they become insignificant once the songs have finished, the tree has been removed and the friendships and community have been strengthened.]

 

I would say to anyone who’s scared to jump in and chase what they want for fear of failure, or just for fear itself, just get on with it.  Do it.  I never thought in my lifetime that I would ever put myself through the hell of singing in an audition regardless of what it was for, but I did.  This is one regret that I will never have to live with, instead it’s a triumph that I will savour to my last day.

 


You can view Stockton Council's video of the Stockton Sparkles event, complete with the UK's first ever Singing Christmas Tree, right here:

 http://youtu.be/AJxmrQh7rBQ

 

 

A note for my nieces

 

Why did I do this?  What motivated me to put myself through the hell of pre- and mid-audition terror, and post-audition What If’s?

 

Many people already know that in the last few years I’ve gradually beaten down the doubting, scared voice in my head that tells me I can’t do something.  I still have some work to do on that, but from tentative baby steps grow huge, long strides full of confidence, and they’re worth working towards.  The more I do, the more I want to do, and I never know what the next thing will be.  I do know that if I get butterflies of both fear and excitement at the same time, I’m probably going for it regardless of what anyone else thinks.  And as it turns out, the scariest things are usually the ones I keep quiet about; if they’re THAT scary I might fail, and I’d rather tell as few people as possible about my failures!

 

But there’s something else that pushes me forward.  Actually, there are four things that push me forward.  No… scratch that… four people!  My weird, wonderful intelligent, beautiful, funny, unique nieces.  Forgive me if I get all girly and emotional now, but you know what?  I’m a girl and that’s what I do.  Deal with it.

 

So, my nieces…

 

I told my sister a few years ago that her girls were my surrogates.  Regardless of anything else that happens in my life, they’re what’s important.  Regardless of how far away they live, I’ve always wanted them to grow up knowing me; what makes me laugh, how tight I like my hugs, where they can tickle me to get the biggest belly laugh, and everything in between.  I’ve always wanted to be the auntie they want to run to when they run away from home, or stay over for girlie nights with funny movies, nail varnish and specially baked cakes.  I’ve always wanted to be the auntie they want to talk to about boys (or girls), about their favourite books, the one they know they can come to and snuggle into without saying a word, just because.  I want that for all four of those wonderful girls, and for any more that might come along.

 

Lately I’ve come to realise that they may indeed be ‘it’.  For as long as I can remember I wanted my own family, and the reality of hitting 40 this year brought home just how unlikely that is to happen.  Divorced, single, one income, rented home.  None of these scream ‘family’.  And the more I think about it, as much as itsmarts when I let myself think about it, I know that although I may very well leave no biological trace of myself behind, I can do the next best thing.  I can be the best version of myself that I can be right now, and in doing so I can show my nieces that anything is possible.  Absolutely bloody anything!  And I can have a fabulous time along the way, too!

 

What I’d like when they see me is not to think of a wallflower who’s scared to live, doesn’t have many friends and stays at home a lot watching TV (the old version of me).  I want them to look at me and see someone who loves life, will help people smile, will teach them the small number of things I know.  Someone who when she wants something, despite it terrifying the living crap out of her, will stand up and try even if it means she might fail.  Someone who does the things she loves just because she loves them, and spends time with the people she loves for the very same reason.

 

I want to be important to the people close to me and to make a difference to their lives.  If I can sit here and know that I’m setting a positive example of how my nieces can live their lives, not without fear because that’s impossible, but without fear controlling their decisions, that will make me happy.

 

So yes, I faced my fears and I auditioned for something I desperately wanted to be a part of, and I don’t regret one terrifying second of it.  But I also know it’s one more win not just for me, but for the girls I want to influence in their years to come.  They all have wonderful parents who will support them whatever decisions they make in life, but it can’t hurt to also have an auntie to show them what can be achieved despite that nagging voice in your head that  says, “Don’t do it!”.

 

So here’s to Natasha, Abigail, Hannah and Emma, to all the things they’ll learn, the people they are now and the people they’ll become.  Here’s to their achievements despite the odds and their achievements because of them.  Here’s to their failures, the ones that make them grow and learn who they are and the paths they want, and need, to take.  Here’s to experiences past and the ones just around the corner.  To the opportunities to come, the ones missed and the ones grabbed so tightly they may never be able to let go.  Here’s to their futures full of happiness and adventure, love and families.  Here’s to their wondrous, exciting lives and the endless possibilities that await them.

 

Girls, when there’s something you want to do, something you want to experience and it scares the bejeesus out of you, just stop for a moment.  Breathe.  Then jump in with both feet and enjoy the ride.  I know what it is to regret missing out on the things and the people you want in your life, and even just the possibility of them, but not anymore.

 

So… are you ready?

 

 

3…

 

 

2…

 

 

1…

 

 

GERONIMO!